Goal-oriented Design India Phone Number

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Goal-oriented Design India Phone Number

Post by sumaiya321 »

Basically every designer encounters a situation where he disagrees with the client, who insists on his point of view that his solution is the best. But the India Phone Number designer has his own ideas and thinks his scheme is better than the client's. At this point, a difficult problem arises, no matter which set of options is chosen, it will cause dissatisfaction on the other side. Goal-oriented design may help us solve this problem at this time. Goal-oriented means to consider the design solution from the root. For example, a client would like to place a client referral link at the top of the page to get more attention from the user. As a designer, you feel that putting a customer-recommended link at the top of the page will affect the entire layout of the page, and refute it.

This will lead to an argument with the client over the India Phone Number matter. In fact, the customer's goal is to attract more user attention, so we can solve this problem by placing the link in other more clearly visible places on the page. Goal-oriented design is not so much a design technique as it is a design idea. It doesn't matter if the cat is black or white, the one who catches the mouse is a good cat. 5. Design for the user "Designing for the user" sounds redundant, because user experience means designing for the user. Yet many designers forget this and become victims of their own creativity.


When some designers are working on a project, the page design looks good and the client is very satisfied. When the product is actually launched, the feedback from users is not satisfactory. It is very difficult for a designer to "design for the user". Because the needs of users will bring you restrictions one by one, it may force you to give up some of the solutions you are more satisfied with and choose those mediocre solutions. The designer is actually a dancer wearing shackles, seeking the optimal solution within many constraints .
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